Alexander McQueen Famous Quotes & Sayings
100 Alexander McQueen Famous Sayings, Quotes and Quotation.
These beautiful models were walking around in the room, and then suddenly this woman who wouldn't be considered beautiful was revealed. It was about trying to trap something that wasn't conventionally beautiful to show that beauty comes from within. More pictures »
If you're lucky enough to use something you see in a dream, it is purely original. It's not in the world - it's in your head. I think that is amazing. More pictures »
Rap music's been around for too long now to be inspirational. The words are, but the music isn't. More pictures »
The reason I'm patriotic about Scotland is because I think it's been dealt a really hard hand. It's marketed the world over as ... haggis ... bagpipes. But no one ever puts anything back into it. More pictures »
It's the ugly things I notice more, because other people tend to ignore the ugly things. More pictures »
There has to be a balance between your mental satisfaction and the financial needs of your company. More pictures »
Of course I make mistakes. I'm human. If I didn't make mistakes, I'd never learn. You can only go forward by making mistakes. More pictures »
You can hide so much behind theatrics, and I don't need to do that any more. 
I just want to be a wallflower. Nondescript. Just not anything. I don't want to see me. More pictures »
Really, what I'm aiming for is world domination! 
The police need to come down to street level. 
I'm interested in designing for posterity. 
I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes ... That's mundane and it's old hat. Let's break down some barriers. More pictures »
If you ask any lady they want to be taller, they want to be slimmer, you know, and they want a waist. I'm not here to make people look like a sack of potatoes. More pictures »
I am constantly trying to reflect the way women are treated. It's hard to interpret that in clothes or in a show but there's always an underlying, sinister side to women's sexuality in my work because of the way I have seen women treated in my life. Where I come from, a woman met a man, had babies, moved to Dagenham, two up two down, made the dinner, went to bed. That was my image of women and I didn't want that. I wanted to get that out of my head. More pictures »
You find a lot of ideas from my shows in adverts now. I find it a compliment. 
Sting's my ideal man, because he's a real man. 
The turnover of fashion is just so quick and so throwaway, and I think that is a big part of the problem. There is no longevity. More pictures »
Let me not forget the use of my own hands, that of a craftsman with eyes ... that reflect the technology around me. More pictures »
I come from a different era and I design clothes for our era. I think of people I want to dress when I design. More pictures »
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them ... The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O'Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really. More pictures »
You can get insular with fashion. 
I feel more Scottish than Norman. 
Youth culture now really looks back and embraces the past, but keeps it contemporary but not sticking to one particular style. More pictures »
I was three years old when I started drawing. I did it all my life. 
I always wanted to be a designer. I read books on fashion from the age of 12. 
I want to empower women. 
I think the idea of mixing luxury and mass-market fashion is very modern, very now - no one wears head-to-toe designer anymore. More pictures »
I've had good times; I've had bad times. 
When Charles Darwin wrote The Origin Of The Species, no one could have known that the ice cap would melt, that the waters would rise and that life on earth would have to evolve in order to live beneath the sea once more or perish. We came from water and now, with the help of stem cell technology and cloning, we must go back to it to survive.When the waters rise, humanity will go back to the place from whence it came.Make no mistake, this is not sci-fi, this is evolution More pictures »
I think I should be a president. President of the United States. 
There is a hidden agenda in the fragility of romance. 
For people who know McQueen, there is always an underlying message. It's usually only the intellectual ones who understand what's going on in what I do. More pictures »
I am a melancholy type of person. 
There is no way back for me now, I'm going to take you on journeys you've never dreamed possible More pictures »
Having money hasn't changed me. If anything it's made my life worse. People come up to you who knew you before you were famous and who didn't come up to you before. I'm a clever designer. I can do what the client wants. But I'm prepared to forget about money if it affects my creativity because, remember, I started off with nothing. And I can do that again. More pictures »
Fashion should be a form of escapism, and not a form of imprisonment. 
It's almost like putting armor on a woman. It's a very psychological way of dressing. More pictures »
My relationships with producers or photographers - these are relationships that took years. More pictures »
I'm 40 now, but I want this to be a company that lives way beyond me, and I believe that customers are more important to making that happen than press. When I'm dead, hopefully this house will still be going. On a spaceship. Hopping up and down above earth. More pictures »
I was never a big networker, but I was a spin doctor, all those shock shows, that's how I got my first backers. But fashion's a scary industry to be in, especially if you've not grown up with it. More pictures »
There is something sinister, something quite biographical about what I do - but that part is for me. It's my personal business. I think there is a lot of romance, melancholy. There's a sadness to it, but there's romance in sadness. I suppose I am a very melancholy person. More pictures »
Now I design what I want to wear, and it works that way. 
Animals fascinate me because you can find a force, an energy, a fear that also exists in sex. More pictures »
I like the idea of infiltrating an area that is not really exposed to me or my work. 
I'm about what goes through people's minds. The stuff that people don't want to admit or face up to. The shows are about what's buried in people's psyches. 
Fashions fade, style is eternal. - Yves Saint-LaurentThe most important thing to remember is that you can wear all the greatest clothes and all the greatest shoes, but you've got to have a good spirit on the inside. That's what's really going to make you look like you're ready to rock the world. - Alicia KeysIt's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together. 
I find beauty in the grotesque, like most artists. I have to force people to look at things. 
You can only go forward by making mistakes. I'm twenty-seven, not fifty-seven. I'm not Givenchy, I'm Alexander McQueen. 
I believe in that one-on-one sell. I don't really believe in flooding the market with loads of goods that don't mean much, and you lose your identity. 
I spent a long time learning how to construct clothes, which is important to do before you can deconstruct them. 
I came to terms with not fitting in a long time ago. I never really fitted in. I don't want to fit in. And now people are buying into that. 
I'm not interested in being liked. 
Nicey nicey just doesn't do it for me. 
I don't want to be too proud, but I have a good personal style. 
I'm the pink sheep in the family. 
There is no better designer then nature 
There's blood beneath every layer of skin. 
It's good to know where you come from. It makes you what you are today. It's DNA, it's in your blood. 
I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor. 
Birds in flight fascinate me. I admire eagles and falcons. I'm inspired by a feather but also its color, its graphics, its weightlessness and its engineering. It's so elaborate. In fact I try and transpose the beauty of a bird to women. 
I oscillate between life and death, happiness and sadness, good and evil. 
I never look at other people's work. My mind has to be completely focused on my own illusions. 
For me, what I do is an artistic expression which is channeled through me. Fashion is just the medium. 
Give me time and I'll give you a revolution. 
Clothes and jewellery should be startling, individual. When you see a woman in my clothes, you want to know more about them. To me, that is what distinguishes good designers from bad designers. 
I can't get sucked into that celebrity thing, because I think it's just crass. 
I like things to be modern and still have a bit of tradition 
When a woman gets dressed up to go out at night, she wants to give 50% away, and hold the rest back. If you're an open book, there's no allure. 
Fashion is self confident and fearless. 
I think there has to be an underlying sexuality. There has to be a perverseness to the clothes. There is a hidden agenda in the fragility of romance. It's like a Story of O. I am not big on women looking naive. There has to be a sinister aspect, whether it's melancholy of sadomasochist. I think everyone has a deep sexuality, and sometimes it's good to use a little of it-and sometimes a lot of it-like a masquerade. 
Some couture collections have everything including the kitchen sink! Everything gets thrown on to make it look expensive. I find it grotesque when clothes hit you in the face and there's no room for fault. But I don't expect to turn things around all by myself. I'm not a saint. 
I'm mad in the front of my mind, but business-minded in the back. 
British fashion is self confident and fearless. It refuses to bow to commerce, thus generating a constant flow of new ideas whilst drawing in British heritage. 
Menswear is about subtlety. It's about good style and good taste. 
You've got to know the rules to break them. That's what I'm here for, to demolish the rules but to keep the tradition. 
I think sometimes I might scare the editors, because they might feel they're getting old and they're not understanding it. The problem lies on their side of the fence, not mine. I come from a different era and I design clothes for our era. 
It's not my vision when I cover a woman's face with a chador. I got the idea from a 'National Geographic' photo. I'm just showing their plight in the world. 
There is no better designer than nature. 
When you see a woman wearing McQueen, there's a certain hardness to the clothes that makes her look powerful. It kind of fends people off. 
People don't want to see clothes, they want to see something that fuels the imagination 
When we put the antlers on the model and then draped over it the lace embroidery that we had made, we had to poke them through a £2,000 piece of work. But then it worked because it looks like she's rammed the piece of lace with her antlers. There's always spontaneity. You've got to allow for that in my shows. 
I am married to work. 
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not. 
There are only a handful of designers that influence other designers, and I have to keep one step ahead of the game. 
I have been skiing since I was in school, but I'm not great. I am never going to break an Olympic record, I just want to go down the hills, on red or blue runs, but not ... black. 
There's beauty in anger, and anger for me is a passion. 
I want to be the purveyor of a certain silhouette or a way of cutting, so that when I am dead and gone people will know that the twenty-first century was started by Alexander McQueen. 
I like the concept of dressing people. I used to not care whether people bought the clothes or not, but I kind of like it now. I wouldn't label that commercialism; it's more like I do this work because I want people to wear it. 
The world needs fantasy, not reality. We have enough reality today 
I hate it when people romanticize Scotland. 
I work with people I admire and respect. It's never because of who they are. 
I'm not big on women looking naive. 
I use things that people want to hide in their heads. War, religion, sex; things we all think about, but don't bring to the forefront. But I do and I force them to watch it 
Women should look like women. A piece of cardboard has no sexuality. 
Fame should be left to the film stars. 
I can design a collection in a day and I always do, cause I've always got a load of Italians on my back, moaning that it's late. 
I want to empower women. I want people to be afraid of the women I dress. 
The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination - and an entertainment - for everybody. 
Life to me is a bit of a (Brothers) Grimm fairy tale.