Kiyoaki Famous Quotes & Sayings
24 Kiyoaki Famous Sayings, Quotes and Quotation.
And now she was back in the world, not one she could make, but the one that had made her, and she felt herself shrinking under the early evening sky. She was weary of being outdoors, but she was not ready to go in. Was that really all there was in life, indoors or out? Wasn't there somewhere else for people to go? — Ian McEwan
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Music is breath of life. — Lailah Gifty Akita
Like most girls, I constantly have to watch my weight, because if I didn't my curves would get ahead of me. — Amber Heard
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Kiyo, what would you do if all of a sudden I weren't here any more?' Satoko asked, her words coming in a rushed whisper.This was a long-standing trick of Satoko's for disconcerting people. Perhaps she achieved her effects without conscious effort, but she never allowed the slightest hint of mischief into her tone to put her victim at ease. Her voice would be heavy with pathos at such times, as though confiding the gravest of secrets.
Although he should have been inured to this by now, Kiyoaki could not help asking: 'Not here any more? Why?'
Despite all his efforts to indicate a studied disinterest, Kiyoaki's reply betrayed his uneasiness. It was what Satoko wanted.
'I can't tell you why,' she answered, deftly dropping ink into the clear waters of Kiyoaki's heart ... — Yukio Mishima
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More than anything else, Kiyoaki thought, more than Princess Chan, the emerald ring, their friends, their school, perhaps what the princes had needed had been sunshine. It seemed that summer had the power to heal all frustrations, soothe every grief, restore their lost happiness. — Yukio Mishima
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So young and so lethargic! As though he had been born to sit and stare like this. Ever since Kiyoaki had confided in him, Shigekuni, who would have been bright and confident, as befitted such an able young man, had undergone a change. Or rather, the friendship between him and Kiyoaki had undergone a strange reversal. For years, each of them had been extremely careful to intrude in no way on the personal life of the other. But now, just three days before, Kiyoaki had suddenly come to him and, like a newly cured patient transmitting his disease to someone else, had passed on to his friend the virus of introspection. It had taken hold so readily that Honda's disposition now seemed a far better host to it than Kiyoaki's. The first major symptom of the disease was a vague sense of apprehension. — Yukio Mishima
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A silhouette stepped toward us, and another wave of pure power ripped through the throne room. 'I'm only going to warn you once, Cronus,' said a voice, dark and dangerous. 'Get the hell away from my wife. — Aimee Carter
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Today never feels like it will be history, but it will. And more likely than not, you will look back and realize that you should have known. — Scott Belsky
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On reflection, falling in love for him was not only extraordinary, but rather comical. By having closely observed Kiyoaki Matsugae, he knew full well what sort of man should fall in love.Falling in love was a special privilege given to someone whose external, sensuous charm and internal ignorance, disorganization, and lack of cognizance permitted him to form a kind of fantasy about others. It was a rude privilege. Honda was quite aware that since his childhood, he had been the opposite of such a man. — Yukio Mishima
My 'fear' is my substance, and probably the best part of me. — Franz Kafka
Honda ... knew that to retain Kiyoaki's affection he must check the unthinking roughness that friendship ordinarily permitted. He had to treat him as warily as one would a freshly painted wall, on which the slightest careless touch would leave an indelible fingerprint. Should the circumstances demand it, he would have to go so far as to pretend not to notice Kiyoaki's mortal agony. Especially if such assumed obtuseness served to point up the elegance that would surely characterize Kiyoaki's ultimate suffering. At such moments, Honda could even love Kiyoaki for the look of mute appeal in his eyes. Their beautiful gaze seemed to hold a plea: leave things as they are, as gloriously undefined as the line of the seashore. — Yukio Mishima
As we're leaving the King's Arms Hotel after Sunday lunch, I watch a beautiful white dove walking down the wet road. A car approaches and the bird accidentally turns into the wheel rather than away from it. A gentle crunch. The car passes. A shape like a discarded napkin left in the road. Still perfectly white, no red stains, but bearing no relation anymore to the shape of a bird. A trail of white feathers flutter down the road after the car. The suddeness is very upsetting. That gentle crunch. — Antony Sher
Those who lack imagination have no choice but to base their conclusions on the reality they see around them. But on the other hand, those who are imaginative have a tendency to build fortified castles they have designed themselves, and to seal off every window. And so it was with Kiyoaki. — Yukio Mishima
PREHISTORIC, adj. Belonging to an early period and a museum. Antedating the art and practice of perpetuating falsehood. — Ambrose Bierce
The choices for unbelievers are: Accept Islam. Pay the jizya, the poll-tax on non-Muslims, which (as we shall see) is the cornerstone of an entire system of humiliating regulations that institutionalize inferior status for non-Muslims in Islamic law. War with Muslims. Always remember, "peaceful coexistence as equals in a pluralistic society" isn't one of the choices. — Robert Spencer
Love means giving yourself to the person you love,being willing to sacrifice everything,even your pride — Elaine Barbieri
To speak knowing the truth, among prudent and dear men, about what is greatest and dear, is a thing that is safe and encouraging. But to present arguments at a time when one is in doubt and seeking... is a thing both frightening and slippery. — Plato
All of this caused Kiyoaki constant pain. In comparison with Satoko's public humiliation, however, he did not even have a slighting remark to contend with. And however acute his private agony, it was, after all, the torment of a coward. — Yukio Mishima
I can feel myself gently slipping away into a light trance by the quarter moon light as the candles are blown out, and my last thought is that we have gone back to the jungle, back to the great green womb - we have returned full circle from whence we came ... — Rak Razam
He was in a room of the Gesshuuji, which he had thought it would be impossible to visit. The approach of death had made the visit easy, had unloosed the weight that held him in the depths of being. It was even a comfort to think, from the light repose the struggle up the hill had brought him, that Kiyoaki, struggling against illness up that same road, had been given wings to soar with by the denial that awaited him. — Yukio Mishima
Conversation was tedious; she wanted something big, and she believed that it would have come to her on the windswept platform of an electric tram. — E. M. Forster
The hot sun struck the backs of their close-shaven necks. It was a peaceful, uneventful, glorious Sunday afternoon. Yet Kiyoaki remained convinced that at the bottom of this world, which was like a leather bag filled with water, there was a little hole, and it seemed to him that he could hear time leaking from it, drop by drop. — Yukio Mishima
The major studios are by and large banks, and they give you what is by and large a loan to make a movie. Like banks, they want their money back plus. — Sean Penn
Loyalty must be forged - to him, to his: stronger than iron, from experience, from risk - it can't be bought, or taught, or promised before the fact. Allegiance must be earned so it will hold, win or lose. — Janet Morris